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    Scottish Life and Society Volume 10: Oral Literature and Performance Culture

    £45.00
    Brings together a series of essays by a diverse range of authors on the themes of oral literature and performance culture. This volume covers topics such as narrative collection and performance, music (traditional, folk and classical), Gaelic song and verse, ballads, bothy ballads, chapbooks, child lore, dance and, theatre and drama.
    ISBN: 9780859766791
    AuthorJohn Beech
    Pub Date01/08/2007
    BindingHardback
    Pages528
    Availability: In Stock

    Volume 10 of the "Compendium of Scottish Ethnology" brings together a series of essays by a diverse range of authors on the themes of oral literature and performance culture. The topics covered in this volume include: narrative collection and performance; music (traditional, folk & classical); Gaelic song and verse; ballads; bothy ballads; chapbooks; child lore; dance; and, theatre and drama. The cultural motifs that have over the years been gathered together to constitute the National Song Book and National Drama are identified and discussed. In so doing, the role of 'tradition' in these key aspects of the cultural life of the Scots is thrown into relief. It emerges that tradition and identity are cultural traits which are capable of bearing many meanings. The characterisation of 'tradition' as the immutable source, unadulterated by human invention is challenged in this volume, and in its place is a recognition of the dynamic nature of many of those cultural forms which are described as 'traditional'.


    This volume acts an ethnographic source in its own terms - drawing together details and insights regarding phenomena such as the Folk Revival of the 1950s and the collection and collectors of 'folk' stories and songs. The impressive range of this volume demonstrates the many ways in which Scots have communicated and continue to communicate with each other regarding the local and national and the communal and the intimate concerns of yesterday, today and tomorrow.

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    Volume 10 of the "Compendium of Scottish Ethnology" brings together a series of essays by a diverse range of authors on the themes of oral literature and performance culture. The topics covered in this volume include: narrative collection and performance; music (traditional, folk & classical); Gaelic song and verse; ballads; bothy ballads; chapbooks; child lore; dance; and, theatre and drama. The cultural motifs that have over the years been gathered together to constitute the National Song Book and National Drama are identified and discussed. In so doing, the role of 'tradition' in these key aspects of the cultural life of the Scots is thrown into relief. It emerges that tradition and identity are cultural traits which are capable of bearing many meanings. The characterisation of 'tradition' as the immutable source, unadulterated by human invention is challenged in this volume, and in its place is a recognition of the dynamic nature of many of those cultural forms which are described as 'traditional'.


    This volume acts an ethnographic source in its own terms - drawing together details and insights regarding phenomena such as the Folk Revival of the 1950s and the collection and collectors of 'folk' stories and songs. The impressive range of this volume demonstrates the many ways in which Scots have communicated and continue to communicate with each other regarding the local and national and the communal and the intimate concerns of yesterday, today and tomorrow.