A follow up to the immensely popular #UntitledOne and #UntitledTwo. This year's anthology gives us more of the promising and established names in British poetry who have all shared the Neu! Reekie! bill. Many of the works are new, many are favourites read at the events; all are savoured, sublime, sumptuous voices within poetry already.
Allan Cameron's second volume of poetry is more varied in style and content, but continues with some narrative poetry in the mix and to dispense almost entirely with the "self-as-subject" as Seumas Heaney defined poetry since the Romantics.
A poem does not have to be famous to be cherished. The best-known poems of Robert Burns have been loved by countless people over the years, but there are other poems that may be largely unknown that will mean a great deal to the few who are familiar with them. This anthology is a personal curation and not just a simple collection of poems.
An exquisite collection from a poet at the peak of her powers, A God at the Door spans time and space, drawing on the extraordinary minutiae of nature and humanity to elevate the marginalised. Extending the territory of her zeitgeist collection Girls Are Coming Out of the Woods, these new poems traverse history, from the cosmic to the quotidian.
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